THE PHOTOGRAPHER SPENT MUCH OF HER TWENTIES IN THE DARKROOM, PRINTMAKING MATERIAL SHOWN IN VENUES: the annenberg space for photography los angeles, museum c/o berlin, the fotografiska museet stockholm, maison particuliere centre d'art bruxelles, multimedia art museum moscow, nordic light international festival of photography kristiansund, st. moritz art masters art and culture festival, and the acte2 gallery paris, galerie de l'aimance casablanca, camerawork berlin, christophe guye galerie zurich, cwc gallery berlin, the empty quarter gallery dubai, flo peters gallery hamburg, hamiltons gallery london, hartman gallery barcelona, hasted kraeutler gallery new york, izzy gallery toronto, kahmann gallery amsterdam, noorderlicht photogallery the netherlands, photographers limited editions vienna, qvale galleri oslo, young gallery bruxelles, as well as works including drawing and mixed media for the deichtorhallen museum haus der photographie hamburg, rautenstrauch-joest museum cologne. THROUGHOUT THIS TIME, THERE WAS A FOCUS ON environmentally conscious PRINTMAKING variations WHILE DRAWING FROM processing methods traditional TO darkroom combined with the digital technologies 2014-2019. FEATURED METHODS INCLUDE chromogenic print alternate: large-format composite polaroids. digital carbon print. original technique: silver gelatin with selenium wash sourced by large format digital negative. original technique: digital photograph with ink processing - restructured algorithm. archival pigment prints front-mounted on raised glass box. archival pigment prints alternate pigment. mixed format. archival pigment prints sourced from platinum and cyanotype photographs printed on ancient paper. archival pigment prints sourced from analog negative or polaroid. mixed format. original technique: digital chromogenic large-format composites. film clides with digital processing.